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TIME: Almanac 1993
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TIME Almanac 1993.iso
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1992-08-28
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CRITICS' VOICES, Page 7
MOVIES
FATHER OF THE BRIDE. In 1992 the middle class deserves a
good cry over something besides the recession, so why not a
wedding? Well, because this soppy comedy is pretty lame, despite
the efforts of Steve Martin (Dad) and the easy charm of Diane
Keaton (Mom).
AT PLAY IN THE FIELDS OF THE LORD. In these politically
correct days, most epic journeys into exotic lands are guilt
trips, pinning blame for the world's woes on the evil white
male. Director Hector Babenco's turgid trek into the Brazilian
rain forest accomplishes this and more: it makes the viewer feel
guilty for wasting three hours and seven bucks.
GRAND CANYON. The season's Nice Try Award goes to Lawrence
Kasdan. As director and co-writer of this rambling comedy-drama,
he tackles big issues (race relations, infidelity, mid-life
malaise, crime) with some soaring ingenuity and the help of an
attractive cast (Kevin Kline, Danny Glover, Mary-Louise Parker).
Grand Canyon goes all weird and wussy at the end, but for the
first hour or so it addresses real issues and feelings -- the
preoccupations of most people who work outside Hollywood.
TELEVISION
DAYS OF OUR LIVES: ONE STORMY NIGHT (NBC, Jan. 10, 8 p.m.
EST). Just before presenting the annual Soap Opera Digest
awards, NBC tries something new: a special prime-time episode
of its popular daytime serial. Hold your breath: if it scores
well in the ratings, nighttime may soon be awash in soapsuds.
LAST WISH (ABC, Jan. 12, 9 p.m. EST). Maureen Stapleton is
a woman suffering from cancer, and Patty Duke is the daughter
who must decide whether to help her die, in this unflinching TV
movie based on Betty Rollin's book.
FONDA ON FONDA (TNT, Jan. 13, 8 p.m. EST). Now that she's
part of the family, Jane has to do something to earn her keep.
In this Turner network special, she narrates a moving,
well-assembled tribute to her dad's movie career.
MUSIC
FRANK SINATRA: A TOUR DE FORCE (Bravura). A live bootleg
recording of a 1959 concert in Melbourne, Australia, with the
Red Norvo Quintet. It's not only Sinatra's generic greatness
that makes this one a must. He seldom worked with small groups,
and the agility of Norvo and friends really gives the Chairman
room to move. And when Sinatra moves, the earth does too.
THE BEACH BOYS: GOOD VIBRATIONS SMILE (Sphinx). A
reconstruction on CD of rock's most famous aborted masterpiece,
Brian Wilson's extravaganza of California karma, surf culture
and the infinite head trip.
THEATER
TWELFTH NIGHT. Gender bending is at the center of the
Bard's richest comedy, so director Neil Bartlett takes the idea
to a wry extreme at Chicago's Goodman Theater, casting a man as
the cross-dressing woman and women in most of the parts meant
for men.
THREE SISTERS. Edward Herrmann and Linda Hunt head an
all-star cast that Broadway producers would envy in Chekhov's
tragedy of a family thwarted, but the staging is way
off-Broadway -- 50 miles off -- at Princeton's McCarter Theater.
THE PHILANTHROPIST. Two decades ago, Christopher Hampton
was proclaimed a budding genius for this drawing-room
tragicomedy about a man who accomplishes only evil in trying to
do good. Apart from Les Liaisons Dangereuses, Hampton's promise
remains unfulfilled. New Haven's Long Wharf Theater revisits his
breakthrough text.
BOOKS
THE TRIUMPH & TRAGEDY OF LYNDON JOHNSON: THE WHITE HOUSE
YEARS by Joseph A. Califano Jr. (Simon & Schuster; $25).
L.B.J.'s closest aide on domestic policy during the mid-'60s
delivers a hard, pure nugget of the 36th President. Califano
provides graphic reports of the bullying and lying that
ultimately consumed the Texan, but also shows the larger purpose
-- the civil rights campaign, the legislative battles on health,
education and housing -- that struggled within the tortured man.
WOMEN ON TOP by Nancy Friday (Simon & Schuster; $22). In
her latest attempt to capture America's sexual zeitgeist,
Friday maintains that women's erotic fantasies spurn comfortable
settings, clean sheets and non-felons in favor of German
shepherds, enemas and shackles. The author may have intended to
provide an aphrodisiac with her pseudoscientific survey, but it
comes off with all the zing of an affidavit -- and one that
lacks the ring of truth.
ETCETERA
TURANDOT. Puccini's grandest, chilliest opera gets a new
production at the Lyric Opera of Chicago that ought to warm the
pageantry up considerably. Sets are by artist David Hockney, who
usually finds the animation and wit in any project he
undertakes. Performances Jan. 11 through Feb. 2.
I BELIEVE: EVANGELICALISM IN SOUTHERN URBAN CULTURE, the
Valentine Museum, Richmond. An exploration of the roots and
influences of Evangelicalism in politics, culture and mores
south of the Mason-Dixon Line. Through Sept. 7.
MAHLER REDUX
Gustav Mahler was a peripheral figure until the early
1960s, when Leonard Bernstein combined his directorship of the
New York Philharmonic with a CBS recording contract and his own
magnetism to translate a deep personal identification into an
enduring Mahler revival. In 1985 Bernstein undertook to
re-record the nine symphonies, plus the Adagio from the
unfinished 10th, live for Deutsche Grammophon, using three
virtuoso orchestras: the New York Philharmonic, the Vienna
Philharmonic and Amsterdam's Concertgebouw. Result: this
definitive 13-disc boxed set. Bernstein finds the universal in
Mahler's exquisite, often tortured, self-consciousness; the
metaphysical beneath the moody, vivid surfaces. In struggling to
understand fate, Mahler found despair, strength, ineffable loss
and radiant affirmation. Yet it is ultimately in the music's
unpredictable juxtapositions, its intensifications and easings,
its shifts in perspective, its encompassing grasp of powerful
and disparate emotions, that we find Mahler -- and ourselves.
BY TIME'S REVIEWERS/Compiled by Linda Williams.